for their seventh issue, adams bite have tapped italian dj and producer, christopher ledger. his work has steadily risen to the top over the past five or six years, honing in on a reduced style favoured by intimate dancefloors throughout europe. for his most recent output, ledger draws upon more muscular, more urgent matter altogether. his encyclopedic knowledge of dance musics hidden corners reverberates strongly within these five tracks. find echoes of the fledgling roman rave scene in its heavy drumwork, whilst the trance-infused synths recall the hazy glory days of mid-nineties elba. all touched up and bound together by a thoroughly modern approach to sound design and floor awareness. ledger carries his italian heritage on his sleeve, and although many of the calling cards might appear obscured to the uninitiated, those familiar with his craft will find more to love with every rotation. pass this gate and discover the depth at your own risk.

wu tang & staten island mc/producer come together again in new vinyl release wutang x remedy.

after more than ten years on the techno scene, hosting vienna’s infamous meat market parties, playing dj gigs in some of the best clubs around the globe and releasing four solo eps on his very own label meat recordings, it is time to take his profile as a producer to the next level. and this is exactly what snacks will do for gerald. besides delivering some of his typical techno bangers (push, waste of good cereal, winning streak, every me) and a breaky roller in the legacy of his hit otto wagner green (fever), he has taken some considerable risk by showing a completely new side of his production in the studio: wash me and sail away are coops with viennese singers, that could quite plausibly be described as pop songs. gay dad offers some rammsteiny vibes along with some provocative, yet sexy lyrics. snacks also features two amazing remixes by christoph faust and projekt gestalten. the double 12” vinyl comes in a precious gatefold cover with a breathtaking 3d rendered artwork by jesus florez (bogota, colombia), which is, in effect, a work of art for itself.

heavyweight 180 gram black vinyl lp.

following critically acclaimed releases with dance regular and rhythm section (releasing under saul with jack stephenson-oliver), london-based producer/dj footshooter lands on astral black with his full-length debut, the southside hymns lp.

techno-dancehall beats meet radical rhymes. limited edition of 500 copies on orange coloured vinyl.

techno-dancehall beats meet radical rhymes. limited edition of 500 copies on black vinyl.

minimal industrial techno sounds at their finest.

as his label marks its 60th release, lost & found owner guy j returns with his brand new ep. guys modus operandi performs superbly with themes which would otherwise risk sounding aimless and decadent. his range is thrilling, thoughtfully arranged even in the thickest of textures, never heartless, blunt or unbalanced. both in his harmonious and production statements, guy j leaves nothing indisputable. each frequency is analyzed. each note adjusted.

remixes by octo octa, haai, india jordan, planningtorock and avalon emerson on limited 12 inch vinyl.

two strategies to skyrocket your business by ferdinand domes. very low risk

early morning rave love from asquith.

more beautifully unusual music from j.e. sunde on vinyl lp with cd included.

lp with picture sleeve w/ printed inner sleeve

supported by ig culture, gilles peterson worldwide fm, tuck shop music, alex nut (eglo records), don pascal

limited edition moss green vinyl, download code included.

regular pressing on black vinyl, download code included.

super successful atmospheric electro tracks that remain in the memory for a long time...

incl. amy douglas, body music, jemeni g, mike dunn, risk assessment, seamus haji, yuksek

180g vinyl, remastered from the original analogue tapes

the return of jah cure!

greetings and welcome from axces. we re a small local copenhagen community of friends and curious souls. this is our very first record. alfredo92 and kasper marrot run the label, and they ve produced two tracks with help from our good friends carl emil and lauge. the record was created in 2017 at the professional facilities we ve come to know as nordvest auto. on both tracks, you ll hear a lot of drums, some bass, effects, samples, vocals and sounds from beyond, we don t know how to describe. they ve been tested on various sound systems during the past year, and we can ensure you that a flat eq and max volume will suit the tracks almost anywhere. we really hope you enjoy our effort. if you should ever find yourself in copenhagen axces will provide counselling and guidance at own risk.

it d be hard to start a label to take pot shots at the increasing cultural value placed on popularity over talent, and then name the participants, right ? right rome may well be burning, but we re dancing in the flames reserve not met will not be undersold reserve not met will not provide a money back guarantee reserve not met will not be held responsible for poor use of reserve not met product expectations are left at customers own risk

benjamin vigneron, also known as vronsky, was born in 1991 in aix-en-provence, france. as a teenager, drawn simultaneously to visual arts, cinema and music production, he made his first contact with techno by working for a local club as a graphic designer. during his 20s, while living between montreal, canada and marseille, france, it was revealed to benjamin he suffered from a heavy bipolar disorder. as a reaction, he started losing himself in free parties and increasingly dangerous habits. gradually learning to love himself despite his flaws, he kicked his risk-taking after he realized the love of music prevailed over anything else. equipped with a strong desire to share his vision despite not being able to perform as a dj, benjamin started a youtube channel and a collective named listening blue.

“hypocrisy is the greatest luxury” is the debut album by the industrial hip hop formation the disposable heroes of hiphoprisy. years after its release it was recognized as one of most underrated albums from 1992. pressing on 180 gram audiophile double vinyl, includes insert with lyrics.

anklepants introduces his brand new album for detroit undergroud, a collection of ten cuts, made with his very own arsenal of digital and hardware toys, most of them self made and customised for his purposes. this multi faceted artist creates a blend of twisted ryhthms, synthetic melodies and weird textures and noises, yet danceable stuff but with heavy focus in experimentation and risk.

a virtuoso, known for boundary-pushing production (often fusing traditional hip-hop drum programming with sampling and live music) and thoughtful lyrics, black milk is respected across the industry for his unique sound, consistency and innovation. returning to the scene amidst a turbulent political climate, the detroit-born rapper/producer announces fever, his upcoming studio album. black milk s sixth solo rap album, and his first since 2014 s if there s a hell below, fever combines pointed and topical lyrics and brilliant musicianship, including percussion from all-star musicians chris “daddy” dave (d angelo, adele, justin bieber) and daru jones (jack white), bass by long-time collaborator malik hunter and keys and guitar from newcomers ian fink and sasha kashperko, respectively. black milk evolves his production style of fusing electronic, soul, rock and other soundscapes with electronic programming and live music, a method he began experimenting with on his 2010 release album of the year. a cohesive 12-track project, listening to fever evokes the feeling of scrolling through an endless news feed, finding black milk reporting and commenting on the world s problems with empathy, clarity, and wit. additional vocals from dwele, aaron -ab- abernathy, and sudie (a producer / vocalist signed to black milk’s computer ugly label) serve to juxtapose black’s heavy lyrical content with airy vibes. pressing on red & black coloured vinyl, comes with poster and sticker included.

itd be hard to start a label to take pot shots at the increasing cultural value placed on popularity over talent, and then name the participants, right? right rome may well be burning, but we re dancing in the flames reserve not met will not be undersold reserve not met will not provide a money back guarantee reserve not met will not be held responsible for poor use of reserve not met product expectations are left at customers own risk

feared, loved, hated and respected mancunian boogie crew full beam! dig deep into the cooler to bring you 8 big bombs for your bags. all hitters no shitters. a double lp of rare boogie grenades to blow up your dance floor featuring dubbed out club hits, midnight moochers, soul drenched drippers & balls out boogie. a banger for every point of the party - this is some specialist gear right off the hydrofoil. the fb! crew don t know what any of their tunes are called and who they are by because they can never be bothered to read the labels or sleeves (reading = very, very boring) therefore no track-list provided. take a leap of faith - you will not complain. the record comes with the number for the full beam! gee-line through which more information can be obtained (call at own risk). strictly for radio and dj use only. red laser corp.

it had been four years since juxtaposition, radians last record. chimeric is not a polished album. within the context it is raw, broken, even dark sometimes. steady, multiple rhythms, layered on top of each other disappear into chaos and turn back into discreet structures in the next moment. references of rock music, executed with the precision of a sequencer, mutated, restructured. a lot on this album is about control and the loss of control. the risk of failure. but chimeric is much more free. some of the longer pieces are composed of very different parts and different colours along a continuous timeline. they tend to evolve in a narrative form and are moving through various scenes and surroundings, which is also present in the spacial relationship between the instruments.

brighton’s klax crew return to critical with their very first full blown ep release on the label since their systems series debut back in 2015. from hard-hitting industrial strength and half-time leanings through to warm liquid gold, the klax boys deliver yet another outstanding, fresh take on drum & bass.

five releases strong and a colourful storm is cementing itself as one of the most exciting labels to watch. theyve even managed to surprise us with their most ahem, functional record yet. four demented bleeps n bloops n bassliners with just enough sass, sub and a beautifully complex sound palette to boot. our pick is the specialist. fifth release on australian label a colourful storm - premiered on someones boiler room (we cant remember who) - ricardo villalobo’ favourite artist (surely) - absolute bangers

2te classic the fist ! no risk - no fist

chris barker and si murray return to the fold as deep space orchestra on moreaboutmusic and deliver three tracks of quality across this 12” - from the detroit influenced ‘high priest of junta’, and ‘medina’ to the heavy jacking sounds of ‘inherent risk’.

quite frankly, in order to perceive the complete and total benefit of the side-throw half-wainshaft, the bushing and flange coupler of the main headshaft need to be in exact accordance with the specifications set forth in special bulletin 18.ab. if they are not of the proper dimensionary properties as discussed, the temperature compensation heat-load cycle runs the risk of over-flagguleation of the secondary belleville load-shedding pumped main suspension bearing, and that may lead to inaccordant oscillation of the tertiary and also quadranary and sextanary torque-bearing quadrant-shafts. simply put... 4 cuts and vinyl only!

new album of previously unreleased music recorded 1962 at auditorium maximum/ freie universität in berlin. austrian genius friedrich gulda on piano and baritone saxophone, leading a 13-piece, top-shelf lineup of players featuring benny bailey, erich kleinschuster, georg riedel, fatty george, arne domnérus and ack van rooyen. sparkling modern jazz in front of an excited audience, including parkers anthropology, monks round about midnight plus original material by gulda and riedel, with world premiere of “music for three soloists and band. it is the rhythmic drive, the risk, the absolute contrast to the pale, academic approach i had been taught. (f.gulda in new york times).

the original soundtrack from the acclaimed documentary 808, chronicling the revolution sparked by the iconic drum machine. double 12 inch vinyl in gatefold sleeve with download code included.

special 4x12 inch techno pack - contains 4 classic releases from fat spanking beauty, goodfellas recordings and northwest dynamics:
- fsb04: kriz miller - transformator
- fellas010: michael burkat & andre walter - collaboration 10
- nwd010: wj henze - use at your won risk
- nwd012: slobodan - candiru

repress 2016 ...linkwood gives us whats up with the underground? hot, urgent, joyous jazz/house music thats guaranteed to ignite any dancefloor be warned, spontaneous human combustion is a real risk when this record hits. fudge fingas drops the heavyweight ‘escape. with samples from cult tv series ‘the prisoner, huge synth lines and beats like vintage glenn underground this is definitely odd house music turn it up! the complainers bacon rolls is bizarre funk from somewhere else entirely if chris cunningham made a porno flick then this would be the soundtrack. plus theres extra sickness from whats up with the beats? (rather than a mere dub, this is almost an entirely different jump-up disco track) and a bonus firecracker skit.

going further into techno territory, orphan swords come back with a three tracks ep called -license to desire- on paris-based desire records. following the -risk in the new age- ep (2014), this new hypnotic release is probably their most powerful so far, concentrating ebm, minimal techno gristle and industrial electronics. this ep clearly relates to previous efforts such as -caim- that has been described by xlr8r as -the grinding sounds and whirling blasts of white noise position the track directly in the realm of acts like sandwell district and richie hawtin s digressive and hypnotizing plastikman moniker.- make sure to check out the massive epic of asmoday and the textural sophistication of hooker .

following the success of *elecktro diktators - the french dissidents vol.1* compilation published early this year, new flesh records proudly presents the return of infamous umwelt delivering another collectible output on his own electro label! much anticipated *when future and past collapse* combines firing snares with rolling 808 kicks, acid lines, sub-bass and driving futuristic melodies, all packed in this sophisticated ep. umwelts aesthetics and dystopian vision has never been so dazzling. we could write more about it, but why dont you give it a listen (at your own risk of course)? expect nothing but depths, terrific tales, and authentic secrets about the origins of mankind in this must have five-tracker.

while music in its definitive nature fills both space and time, creating environments in which we live and breathe, these miniature dramaturgies string together to become the screenplay to ones existence. sometimes chosen, and often times forced, these sounds influence the subconscious and designate emotions. purposely flowing fluently through a spectrum ranging from theatrical to rapturous tensions that mingle through the night. cio d or s cinematic compilation for semantica explores another side of techno, a niche home to cio where each intricate sound takes a risk for the sake of progression.

joe goddard just had to knock on that door. the wall of his recording studio had been pulsating with original analogue house jams for too long, dry ice practically sifting through the vents. behind that door was gentleman george t, and before long the two heads were nodding to obscure dat edits and 4th hand soul samples as george plundered a wealth of forgotten late 90s dats from of a box in the corner. true story. and now those dat edits, lovingly un-restored, are available for the first time on greco-roman, the record label, party and artist collective of whom hot chip s joe goddard is a founding member.

mesak, one of the proprietors of skwee, from turku finland with holtiton - his 6 track laton contribution. crafted productions with the classic broken-step, whiney synths & odd stabs known from the upfront-underworld of skwee. but on the 6-cut and very bass heavy plate theres also banging & head-nodding tracks directed towards the sonics of 8-bit chip sound. one of mesaks most quality-compiling releases to date. laton presents some of the proprietors of skwee & the phenomenon of this fennoscandian sound with three different 12inches and a lp compilation. valiant was originally released in 2012, limited and is back on demand

launched in 2010 by infamous electro artist umwelt and graphic partner chris nexus 6, new flesh records definitively focuses on underground and futuristic music. productions are characterized by the use of analogue synthetic ma-chines: therefore, the music oscillates between electro and techno styles.
*elektro diktators vol. 1* inaugurates a series of top electro compilations on the french imprint and offers for its first chapter four uncompromizing tracks from the like of renegades dynarec (electrix, delsin), umwelt (shipwrec, sata-mile), franck kartell (transient force, black leather) & jauzas the shining (last known trajectory, black montanas). each artist provides his personal vision of electro in an oustanding way.
listen at your own risk!